Found Grade

D-Log M LUTs for DJI cameras

DJI has not published a D-Log M curve, only a D-Log M to Rec. 709 LUT per model.[1][2] So the Found Grade D-Log M pack works in two steps: DJI's LUT first, then one of our 26 looks, built for Rec. 709 input.[3]

USD 29, one time. 26 looks, .cube, 33-point grid.

Pay With USDC

Or every camera, the Rec.709 creative set and the setup guides in the Complete Bundle, USD 54.

How the two steps work

Step one: apply DJI's own D-Log M to Rec. 709 LUT for your drone or camera. DJI says that generally only products that support D-Log mode have LUT files, and that for some of those the LUT file is not available.[2][4] Check DJI's page for your model.

Step two: apply a Found Grade look from the pack on top. Do not use a D-Log conversion on D-Log M footage; they are different profiles.[1]

Which DJI cameras record D-Log M

DJI lists it per model. DJI's Mini 4 Pro specification page lists HLG and D-Log M at 10-bit 4:2:0 in H.265.[5]

See the looks on real footage

A tower and a ferris wheel under an overcast sky shown four ways: the plain conversion, then the Cool Film, Muted Earth and Clean Punch looks.
In reading order: the plain conversion, then Cool Film, Muted Earth and Clean Punch, on licensed Sony S-Log3 footage. The looks are the same on every input once the footage is converted, so this frame stands in for D-Log M footage until we have licensed D-Log M clips to show.[6][7]

Load the files in your editor

Final Cut Pro

  1. Select a clip in the browser or timeline.[8]
  2. In the Info inspector, set the Metadata View menu to General, Extended or Settings.[9]
  3. Open the Camera LUT menu and choose Add Custom Camera LUT.[10][11]
  4. Select the Found Grade .cube file for your camera and look.[12][13]
  5. Set the Output Color Space menu to Rec. 709, then click Open.[14][15]

CapCut desktop

  1. Open CapCut on your desktop, create a project and import your video.[16]
  2. Open the Adjustment tab on the left panel and select LUT.[17]
  3. Click Import and choose the Found Grade .cube file.[18]
  4. Apply the LUT to your clip.[19]

DaVinci Resolve

  1. Open Project Settings, then Color Management, then Lookup Tables, and click Open LUT Folder.[20][21]
  2. Copy the Found Grade .cube files into that folder.[22][23]
  3. Click Update Lists.[24]
  4. On the Color page, right-click a node, choose LUT, then 3D LUT, and pick the file.[25]

Premiere Pro

  1. Select a clip in the Timeline panel.[26]
  2. In the Lumetri Color panel, open the Basic Correction section.[27]
  3. Open the Input LUT menu and choose Browse.[28]
  4. Pick the Found Grade .cube file.[29][30]

Questions

Why two steps and not one file?

DJI has not published the D-Log M curve, so we do not guess it. DJI's own LUT does the conversion; our look does the grade.[1][3]

Is DJI's LUT included?

No. Download it from DJI for your model.[2]

Which DJI cameras record D-Log M?

DJI lists it per model. The Mini 4 Pro specification page lists HLG and D-Log M at 10-bit.[5]

Sources

  1. We found no published D-Log M curve or color space from DJI (checked 2026-11-05); DJI's published white papers cover D-Log and D-Gamut. Our own check, 2026-11-05.
  2. DJI says that generally only products that support D-Log mode have LUT files. Source: What models support D-Log mode? What models have the official LUT files? DJI Support.
  3. Our D-Log M pack is two steps: DJI's own D-Log M to Rec. 709 LUT for the model, then a Found Grade look built for Rec. 709 input. We do not ship DJI's file. Our own check, 2026-11-05.
  4. DJI says some products that support D-Log mode have no LUT file. Source: What models support D-Log mode? What models have the official LUT files? DJI Support.
  5. DJI's Mini 4 Pro specification page lists HLG and D-Log M at 10-bit 4:2:0 in H.265. Source: DJI Mini 4 Pro specifications, DJI (served in Korean).
  6. Each Found Grade cube is one step: the technical conversion to Rec. 709, then the look. Our own check, 2026-11-05.
  7. Our S-Log3 cubes were run on five licensed 4K S-Log3 clips from one creator, who states they were shot on Sony A7S III and a6700 cameras. Our own check, 2026-11-05.
  8. Custom camera LUTs are added from a clip selected in the browser or timeline. Source: Apply LUTs in Final Cut Pro for Mac, Apple Support.
  9. The Camera LUT menu sits in the Info inspector, under the Metadata View menu set to General, Extended or Settings. Source: Apply LUTs in Final Cut Pro for Mac, Apple Support.
  10. The Camera LUT pop-up menu has an Add Custom Camera LUT choice. Source: Apply LUTs in Final Cut Pro for Mac, Apple Support.
  11. When log media is imported, Final Cut Pro detects the log format and applies a built-in camera LUT automatically. Source: Apply LUTs in Final Cut Pro for Mac, Apple Support.
  12. Final Cut Pro asks you to navigate to the LUT file and select it. Source: Apply LUTs in Final Cut Pro for Mac, Apple Support.
  13. Final Cut Pro imports 3D LUT files with the .cube and .mga extensions. Source: Apply LUTs in Final Cut Pro for Mac, Apple Support.
  14. Final Cut Pro asks for the target color space that the custom camera LUT converts to. Source: Apply LUTs in Final Cut Pro for Mac, Apple Support.
  15. The cubes output Rec. 709 primaries with the inverse BT.1886 transfer (gamma 2.4), SDR. Our own check, 2026-11-05.
  16. CapCut desktop starts with Create Project, then Import for your video. Source: The Ultimate Guide to LUTs, CapCut.
  17. CapCut desktop keeps LUTs under the Adjustment tab on the left panel. Source: The Ultimate Guide to LUTs, CapCut.
  18. CapCut desktop imports custom LUTs as .cube or .3dl files. Source: The Ultimate Guide to LUTs, CapCut.
  19. CapCut applies the imported LUT to the video. Source: The Ultimate Guide to LUTs, CapCut.
  20. Resolve keeps its LUT controls in the Color Management panel of the Project Settings. Source: DaVinci Resolve 21 Reference Manual (July 2026), Blackmagic Design, page 3548.
  21. The Open LUT Folder button opens Resolve's master LUT folder in the file system. Source: DaVinci Resolve 21 Reference Manual (July 2026), Blackmagic Design, page 156.
  22. Resolve lists LUTs that you have imported into the proper directory for your operating system. Source: DaVinci Resolve 21 Reference Manual (July 2026), Blackmagic Design, page 157.
  23. Resolve uses 1D and 3D LUTs in the .cube format. Source: DaVinci Resolve 21 Reference Manual (July 2026), Blackmagic Design, page 3546.
  24. Update Lists refreshes the LUT dropdown menus when you add LUTs while Resolve is open. Source: DaVinci Resolve 21 Reference Manual (July 2026), Blackmagic Design, page 156.
  25. A LUT is applied from a node's right-click menu, in the LUT submenu, which lists 3D LUT among its choices. Source: DaVinci Resolve 21 Reference Manual (July 2026), Blackmagic Design, page 3551.
  26. Adobe's steps for an Input LUT start from a clip selected in the Timeline panel. Source: Looks and LUTs, Premiere Pro User Guide, Adobe.
  27. The Input LUT menu sits in the Basic Correction tab of the Lumetri panel. Source: Looks and LUTs, Premiere Pro User Guide, Adobe.
  28. The Input LUT dropdown adds a new LUT with Browse. Source: Looks and LUTs, Premiere Pro User Guide, Adobe.
  29. Premiere Pro then opens a file dialog where you select the LUT file. Source: Looks and LUTs, Premiere Pro User Guide, Adobe.
  30. Adobe says the LUT is then applied on the clip. Source: Looks and LUTs, Premiere Pro User Guide, Adobe.